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Coravin – keeping wine fresh indefinitely

I went to the launch of Coravin in Ireland yesterday – a revolutionary pouring device that has been the talk of the wine world over the last few years. Founder Greg Lambrecht was there to give a very persuasive argument in favour of his system over anything else that has gone before. He is obviously a very bright guy, working as a nuclear engineer before starting several companies that invented new medical devices. Lambrecht became frustrated when his wife was pregnant. A wine-lover since his teenage years, he couldn’t drink an entire bottle of wine every night over dinner. Besides ideally he wanted a glass of white wine, then one of red, and possibly a glass of dessert wine too. And so he started off on a twelve-year process that was eventually to lead to Coravin. Having contacts in the medical world proved very useful; the Coravin uses a fine Teflon-coated needle and high quality argon gas.

Greg Lambrecht and the Coravin

Greg Lambrecht and the Coravin

‘We remove the best wine preserver – a cork – to get at the wine’, says Lambrecht. ‘But what if we didn’t have to? I wanted to be able to drink whatever glass of wine I felt like, and then move on to something else. I wanted to try six different wines if the mood took me.’ He focused on how to extract the wine without introducing any oxygen. The upshot is a very smart small piece of equipment that looks a little like a microscope. It has clamps to grip the bottle, a long thin needle that goes through the cork, and a capsule of argon gas that automatically replaces the wine as you pour out the desired quantity through a spout. Once you remove the needle, the cork springs back to reseal itself. It doesn’t work on screw caps and with difficulty on plastic corks, but apparently does on DIAM and composite corks. Coravin claims the wine will remain fresh for months if not years.

There are other wine-preservation systems such as the Enomatic, but that is expensive and works best for multiple bottles; good for restaurants but not practical for home use. The Vacu-Vin and related Verre de Vin systems work for a short period. Nothing else performs for as long or as reliably as the Coravin promises. If it works it will be a real boon for a wine enthusiast; imagine being able to pour a glass of you’re a particular fine wine, reseal it and then try it again six months later. It will certainly offer great opportunities for lovers of vintage port and dessert wines; you really only ever want a glass or two after dinner. It should allow restaurants to offer a huge range of wines by the glass without fear of being left with an opened bottle that is rapidly oxidising. It could also allow wine shops to offer their customers multiple samples before they buy. And does it work? Well Jancis Robinson and Robert Parker are both big fans. Ch. Margaux uses it to test their wines before sending them abroad for tastings. At the launch we tried four wines before the bottles were sealed again. Apparently we will be invited back in three months to see how the wines are faring. I was also promised a trial model to use at home. I will keep you posted!

The Coravin Credit: Paul Sherwood

The Coravin
Photo: Paul Sherwood

The Coravin is distributed by Findlaters WS, and is available through various retail shops including Jus de Vine, Redmonds and O’Briens for €299. A replacement capsule costs €19.99 and will work for around thirty glasses of wine.

 

 

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TWO AUSTRIAN WINEMAKERS

Two of my favourite Austrian wine producers were in Dublin this week conducting tastings and holding dinners with people from The Corkscrew. I got to one in Thornton’s. Some great wines.

 

Fritz Wieninger and Johannes Hirsch

Fritz Wieninger and Johannes Hirsch

WIENINGER

Fritz Wieninger has 35 hectares of vines up in the hills surrounding Vienna. His family ran a heurige, a Viennese tradition of winery/pub/wine bar that offers wine by the glass or bottle along with some food. Fritz has taken the winemaking side into a different league and is today the best producer in Vienna and one of the greatest in Austria.

We tried several of his ‘Gemischter Satz’, wines made from a field blend of many different grape varieties. This is another Viennese tradition. The first, from several vineyards, was a delicious fresh spring-like glass of wine; the sort that makes you want another sip, and then another – the kind of thing you would love to come across in a Heurige. The second from his Nussberg vineyard, reckoned to be the finest site in Vienna, was altogether more serious, a rich concentrated wine with lovely mineral traces too. We then moved on to his Nussberg Riesling 2013, a wonderful pure textured wine with racy green fruits and excellent length.

Later in the tasting (the two winemakers tic-tacked) we returned to Wieninger’s Chardonnay Select 2013, his Trilogie (Zweigelt/Merlot/Cabernet) and his Pinot Noir Select. Apparently he made his name in Austria with these three wines. I enjoyed the Chardonnay, but was less impressed with the two reds; possibly the Viennese prefer this style and have too many great white wines from others? Good wines but I thought the first three white wines were the standouts.

Kevin Thornton's Smokin' Scallops

Kevin Thornton’s Smokin’ Scallops

 

HIRSCH

I have been visiting the Hirsch stand at Vievinum, the great biennial Austrian wine fair, for many years now. I have a soft spot for the Kamptal anyway – the more elegant refreshing style is right up my street, and the region boasts some of Austria’ greatest producers – Scloss Gobelsburg, Bründlmayer, Loimer, Jurtschitsch and others besides. I have always put Johannes Hirsch right up there with the very best, and it is great to see his wines return to Ireland after a few years absence.

 

At the tasting we worked our way through three vintages of his Zöbinger Gaisberg Riesling, one of his two great single vineyard Rieslings. The 2008 and 2009 were very good and very different in style, with a little more residual sugar, but the 2010 was the star wine of the entire day, a youthful but beautifully structured wine with distinctive flavours of orange peel and juice, a refreshing acidity and wonderful length.

 

Three 2013 Grüner Veltliners, from three different vineyards were fascinating, but here the Lamm was a real star. Hirsch has 33 hectares of vines. He was one of the first to put his wines under Stelvin (screw-cap) and says one Austrian magazine asked his readers to boycott his wines for this crime! As a result he suggests decanting his wines before serving to allow them develop.

 

STAR BUYS

I would certainly love a few bottles of the Wieninger Gemischter Satz 2014 for €17.50, and the excellent Nussberg Riesling €28.50 seems very reasonably priced.

The Corkscrew has the Hirsch Riesling Gaisberg and the Grüner Veltliner Lamm from 2013, both for €47.95 – expensive but well worth it, and a match for most burgundy at the same price or more. The Riesling Zöbing 2013 at €24.95 would serve as a very good introduction to the house.

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WILSONONWINE 2015

Just published a book in conjunction with the Irish Times. So far sales going very well. Available online from the Times, good bookshops, and a few wine shops around Dublin too.

 

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TWO AUSTRIAN WINES

I am just back from a trip to Vienna and therefore full of the joys of Austrian wines. Austria makes some great white wines and increasingly good red wines. As a small country with small producers, it will never produce really cheap wines, but the overall standard is remarkably high. These are two of my all-time favourite Austrian producers.

 

   Bründlmayer Kamptaler Riesling Terrassen 2013

   €19.95

 

  Willi Bründlmayer is one of Austria’s greatest winemakers. He produces a string of wines, some very good others brilliant, but always interesting. The Kamptaler Riesling is a wonderful racy wine with lively      refreshing citrus and green fruits and a long dry mineral finish. A perfect aperitif or with all manner of fish, chicken and pork dishes.

 

Stockists: Greenacres, Wexford www.greenacres.ie

 

 

 

 

  Moric Blafränksich, Burgenland 2012

€23.99

 

This is one of my all-time favourite wines, one that I beg people to try before dismissing Austrian red wines. Made from the local Blaufränkisch grape by one the greatest producers in Austria, this is a deliciously    light piquant elegant wine with clean dark cherry and blueberry fruits. Try it with roast pork or chicken.

 

Stockists: On The Grapevine, Dalkey (www.onthegrapevine.ie); No. 1 Pery Square, Limerick; Market 57, Westport, Mayo; Cabot & Co. Westport, Mayo (www.cabotandco.com); Morton, Galway; McCambridges, Galway.

 

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ENGLISH FIZZ

English sparkling wine has been making headlines for a number of years now. Leaving aside the understandable national pride of some U.K. journalists (every country suffers from it) there are some seriously good English sparkling wines – at fairly serious prices too. The success, Irish winemaker Dermot Sugrue reckons, is partly down to low yields enforced by the climate. Limerick-born Sugrue makes a number of excellent sparkling wines for Wiston Estate on the South Downs and for his own label Sugrue Pierre (his wife is a Pierre). All of the wines are made from one or more of the classic Champagne grapes. For the recent Wine Geese tasting held in the Ballymaloe pop-up shop in Brown Thomas Cork, Dermot brought over the Wiston Rosé a delicious strawberry-scented dry wine that I would prefer to many a Champagne. We also tasted his delicious Sugrue Pierre sparkling dry white called ‘The Trouble with Dreams’. This is an impeccably made elegant balanced wine, with a wonderful purity of sophisticated pristine fruit, a toastiness that comes through once opened a few minutes, and a lip-smacking clean dry finish. The 2010 vintage (sadly sold out) garnered ninety-six points, the highest ever score for an English sparkling wine, in the latest edition of Decanter magazine. Let us hope some enterprising Irish importer manages to bag a few cases of Wiston or Sugure Pierre– they deserve a place on our shelves – possibly as the best Irish wine? Or does that honour go to Simon Tyrrell with his two excellent Côtes du Rhône? We also tasted these at the Brown Thomas tasting.

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The Cork Debate

I am becoming more than a little tired of the cork debate. Before the zealots from either side get started (and both sides can be very evangelical at times) I fully accept that corks are a very unreliable form of closure. It is deeply frustrating to spend a large sum of money on a bottle of wine, lay it down for a few years, only to discover the wine is faulty. That aside, when pleasant conversations about wine degenerate into heated discussions about corks and screwcaps, I tend to lose interest rapidly.

At a dinner party last week, I served two bottles of Cepparello 2006, Paulo di Marche’s subtle elegant Super-Tuscan Sangiovese. They had been given to me as a thank-you by a very generous friend. The sole difference between the two was one had been bottled under cork, the other screwcap or stelvin. David Gleave, M.D. of wine importer Liberty has persuaded some of his producers to change to screwcap for his U.K. clients although conservative Italy and other countries still demand cork. Our tasting was inconclusive. The screwcap version seemed slightly fresher – or was it my imagination? But both were super wines, subtle refined and mellow. We happily drank both.

However, Gleave’s point (and that of others too) was proven not by the Cepparello but by the wine I served with the starter; Cuvée Frédéric Emile 2002 from Trimbach.  This is one of my favourite wines. The first bottle was fine but a little shy and retiring. The second was superb; more developed with magnificent honey and nuts wrapped up in a fine core of acidity. Neither wine was corked or faulty. It was simply bottle variation. Had I only uncorked the first bottle I would have been a little disappointed, wondering why I had bought a case of this wine when I came across it at a tasting four years ago. A fairly conclusive argument for screwcap?

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1967 burgundy versus 1966 claret – old wines and old friends

Old wine and old friends

This week I had the pleasure of whiling away a few hours with Peter Dunne, my first wine boss in Mitchell & Son, and someone whose company I enjoy greatly. We promise to meet every six months but it inevitably happens only every 18-24. Peter provided the wines on this occasion, a 1967 Gevrey-Chambertin from Mommessin and a Ch. Pontet-Canet 1966. Both were bottled by Mitchell and Son in Dublin as was the practice then.

 

The Burgundy was delightful and instead of fading, improved as the afternoon wore on (or maybe it was us). It had sweet ripe fruit, no sous-bois or putrification as Peter put it; just pleasant soft silky fruit. The Pontet-Canet will not go down as one of the greatest wines I have tasted, but was almost as nice in its own way. Drier and firmer with some old fading mahogany fruit, it was still all together, although modern winedrinkers might complain of a lack of fruit. Drinking elderly wine is a particular pleasure, something not everyone enjoys, but I have to say there are few things better than sniffing and sipping away at light mature wines in good company for a few ‘lost hours’.

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SOUTH AFRICAN CHENIN BLANC

We don’t see many good South African wines in this country these days. Has the bottom fallen out of the market or am I looking in the wrong place? I know that many visitors to South Africa import their own wine directly. However, Dr. Eilis Cryan of Kinnegar Wines keeps the flag flying with a list that includes some of the best names in the Cape.  She was kind enough to drop around a few samples from producers she represents for a Chenin Blanc tasting. As these include Ken Forrester (Mr. Chenin in SA) de Trafford and Mullineux, three of the most highly regarded ‘new’ producers, I was really looking forward to the tasting. I had tasted a range of less expensive South African Chenins a few months back. Most were disappointing, possibly because they were from older vintages and tiring a little.

However, these were in a very different class, completely unlike Loire Chenin, and all sharing a textured richness bordering on opulence in some cases, some were blended with other varieties, others fermented in new oak. I preferred the fresher crisper versions, although I can see how the bigger wines would go well with certain foods and tried them out with barbequed chicken – they worked well but even then I still preferred the lighter versions. My two favourites were produced by Mullineux. The Kloof Street Chenin Blanc had plump tropical fruits, peaches and good acidity, possibly with a few grams of residual sugar. But overall a lovely combination of acidity and rich fruit. The other white was a really interesting wine, a blend of 65% Chenin Blanc, 26% Clairette Blanc and 9% Viognier. It was mouth-filling and rounded but with lovely clean acidity and a touch of peach kernels from the Viognier. Nice wine. Both are available from Kinnegar Wines (www.kinnegar.com) at €16 and €22 a bottle respectively. As well as these, I have a half-bottle of Mullineux Straw Wine that I can’t wait to try.  Keep you posted.

 

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BALLYMALOE LITFEST

A week later, I still have a warm glow inside following the wonderful Ballymaloe Litfest. Darina Allen and her crew managed, in a short time, to pull together the most amazing collection of food and wine writers. I am not sure how they did it, but I don’t think any other food festival could boast a list of speakers that included Madhur Jaffrey, Claudia Roden, Stephanie Alexander, Skye Gyngell, Thomasina Miers, Stevie Parle (both past pupils of Ballymaloe), Claus Myer of Noma fame, Sandor Katz, Camilla Plum, David Thompson, Nick Lander, Jancis Robinson, and many, many more. As it all took place in either Ballymaloe House or the cookery school, there was a fantastic concentrated group of food and wine lovers. The sun shone, the atmosphere was brilliant, and the events in the Big Shed were as much Electric Picnic as food festival. Sadly, as I was roped into a number of events, I did not manage to attend many talks. Two highlights of the weekend; Sandor Katz showing how easy it is to make fermented vegetables (I will never fret over the safety of my kimchi and sauerkraut again), and dinner seated beside my all-time food hero Claudia Roden, who was illuminating, entertaining, modest and a veritable mine of information.  However, the most enjoyable part of all was being able to share a few glasses of good wine and craft beer with an eclectic mix of writers, volunteers, producers and punters, all united by a love of food. A weekend to remember.

 

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THREE WISE MEN

One of the best trade tastings each year is held by three of Ireland’s best small importers, although strangely none of them is Irish! Each specializes in a particular part of Europe, and each shows around twenty wines from their part of the world. It makes for a very manageable, fascinating and varied tasting.

Tyrrell & Co.

I am not sure if it was the vintages or my mood, but the entire range of Tyrrell wines were showing really well yesterday, red and white wines. It helps if you are showing the 2010 and 2011 vintages from the Rhône Valley I suppose, but almost every wine seemed star quality. There were some stunning white wines, and I loved the fresh elegance of the 2011 red wines from the Northern Rhône.

Ventoux ‘Persia’ 2011 Domaine de Fondrèche

€25 from www.thewinestore.ie

The nose is wonderfully complex with a mix of peaches, pears and wet stone; the palate is both fresh and full with rich peach fruits and a strong mineral streak.

Crozes-Hermitage Blanc 2011 Domaine Yann Chave

€25-30 from www.thewinestore.ie

An exercise in elegance with light fresh limpid pure yellow fruits that glide across the palette seamlessly. Wonderful wine.

St. Joseph Grand Duc 2011, Domaine du Monteillet

€29.95 from www.thewienstore.ie

Superb, haunting fragrant nose, silky soft pure savoury dark fruits and liquorice on the palate. Not showing much tannic structure, but a joy to drink right now.

 

Grapecircus Wines

Enrico Fantasia, who hails from Venice, has an uncanny ability to select wines that are always interesting, often excellent and usually well-priced. It was the red wines that showed best for me yesterday, although I loved the San Lorenzo Verdicchio.  I also had a second opportunity to try the wines made on the estate belonging to rock star Sting (I don’t expect he gets too involved in the winemaking himself).  All of his wines can be bought in Sheridan’s cheese mongers. Grapecircus@gmail.com.

Verdicchio dei Castelli di Jesi 2011 Fattoria San Lorenzo

€16.95-17.50

A very rich intense textured Verdicchio with a panoply of exotic fruits, tangerine acidity and very good length. Yummy.

Montepulciano d’Abruzzo Le Salare 2010, Barba

€11.95-12.50

I featured this as a wine of the week (and year) in 2012. It is lovely as ever with super fresh light crunchy red fruits, all elegance and style.

Marche Rosso ‘Il Casolare’ 2011 Fattoria San Lorenzo

€11.95-12.50

The brother to the Verdicchio above, this is another characterful wine with lovely fresh red and black fruits, an attractive herbiness and easy finish.

 

Nomad Wine Importers

Former sommelier at Patrick Guilbaud, Charles Derain has built up a formidable list of fine Burgundies and a few other French wines too. Charles@nomadwineimporters.com

St Bris Exogyra Virgula 2010 Domaine Goisot

€12.33 exc VAT wholsale

The Goisots make a range of thrilling white and red wines in the communes of St. Bris and Irancy. The Chardonnay, Aligoté and Pinot Noir are all delicious, but this was the first time I had tried their Sauvignon. It is a stunning light mineral-laden crisp dry wine with precise green fruits and an invigorating freshness.

Rully 2011 Domaine J.B. Ponsot

€14.92 exc VAT wholesale

This is a lovely medium-bodied wine with toasted hazelnuts on nose and palate, lightly textured with lanolin on the lengthy finish. A class above most other Rully.

Lombeline Bourgogne Pinot Noir 2011

€10 exc VAT wholesale

Lovely light delicate fragrant Pinot with fresh young cherry fruits – the sort of wine you could drink all day.

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