AUSSIE RIESLING

I helped host a Riesling/Pinot Noir class yesterday afternoon, part of a course Wine Australia are running for sommeliers. The idea is to boost knowledge and therefore sales of Australian wine in our restaurants. As John McDonnell put it to the class, one out of every four bottles of wine sold inIreland is Australian, but we lag behind in restaurant sales. Apparently the same is true almost worldwide. Do we all change our drinking habits once we enter a restaurant? Do we become more conservative, or is it that few restaurants offer the comfort of a well-known brand?

I was partnered by Dave Palmer of Skillogalee winery in theClareValley. For me, and I think for most there, the Rieslings were the highlight of the night. The 2010 Skillogalee Riesling was a wonderful young wine, brimming with crisp ripe fruits, and a fine mineral edge. I can see how it beat 100+ other Rieslings in a recent Decanter tasting. The other highlight was a 2004 Clare Valley Riesling from O’Leary Walker (available from Thomas Woodberry in Galway, and others probably too) a super example of how this variety can mature. I also really enjoyed the youthful Plantaganet Riesling from Great Southern region and may stash away a couple of bottles. The bargain of the night was the Tim Adams Clare Valley Riesling, beginning to show some maturity, with excellent concentration, and available for around €10 in Tesco. Overall, it confirmed to me that the ClareValley produces some great Riesling (although EdenValley isn’t bad either), all exhibiting a real terroir, and capable of ageing. They all come in screw-cap too, great for reliability.

We only tasted five Pinots; I was impressed with the De Bertoli Windy Peak Pinot Noir, which has improved no end over the last few years. However, I am not sure it would stand up to wines of a similar price from Chile or New Zealand though. The same goes for the Innocent Bystander Pinot. Ozzie Pinot is still a work in progress.

The Hidden France – A Holiday Snapshot Part One

My wife, for reasons I cannot fully understand, generally insists that we holiday in places not noted for producing wine. As she is part-Danish this means Denmark every few years, interspersed by visits to France, and occasionally San Fransisco, where my sister lives. Her efforts to avoid vineyards are not always very successful. Last year in a summer house on the north coast of Denmark, we visited the farm shop a kilometre up the road to buy the evening’s veg. On arrival I spied a field full of vines! The farmer grew no less than twelve different varieties of grape. Sadly, most of the wine had sold out, so I cannot tell you what it was like. The two Danish wines I have tasted have been interesting, but expensive.

This year we went to two lesser-known regions of France. I love rural France; for me it has a special atmosphere and usually an interesting history. Both the Aveyron and the Ariège are picturesque regions, sparsely populated, but with plenty to do. Naturally I managed to dig out a few interesting wines too.

Marcillac & Gaillac
We spent the first week in the Aveyron, an hours drive north-east of Toulouse. Parts of the region are stunningly beautiful; rolling green and gold hills, a mixture of maize, sunflowers, pasture and deciduous forest, with the occasional medieval bastide town sitting on top of a steep mountain. Some parts, such as the town of Cordes-su-Ciel, are fairly touristy, but the rest is wonderfully peaceful. The weather is generally cooler than the coast, a perfect (for me) 20-30°C, with gentle breezes.

We had visited here before, but this year, I tried to discover a little more about Marcillac, a small little-known wine appellation spread out over a dozen or so communes to the north-west of the town of Rodez. There are a mere 150 hectares of vines there now, although in the 19^th century, there were over 5,000 hectares. In the town of Villefranche-sur-Rouergue, I bought a couple of different bottles in a fois gras shop/museum near the city-centre. A few days later, I popped in to Domaine du Cros, a small estate about which I had heard good things. Philippe Teulier was on his lunch-break, but his mother kindly gave me a quick tasting. I bought a mixed case of the wines. The winery, built on several levels, and attached to the house, is fairly basic, but has a spectacular view out over the valley.

Marcillac is made from Fer Servadou, or Mansois as it is known locally. Entry-level Marcillac is delicious juicy, thirst-quenching wine, light in alcohol, with lip-smacking fresh summer fruits, some acidity, and no real tannins. Served cool it goes really well with charcuterie and lighter meat dishes. Locally it is served with Aligot, a rib-sticking mashed potato and cheese dish, and the local lamb. I tasted my way through half-a-dozen Marcillac. The basic wines were as described above, but the more expensive wines had real intensity and quality, whilst retaining that lightness of touch. See below for tasting notes.

Later in the week, I paid Domaine Plageoles in Gaillac a visit, and tasted the entire range of wines with Florent Plageoles, son of Robert. This estate has been a major force in rejuvenating Gaillac, producing high quality wines using almost entirely local grape varieties, many of which were in danger of extinction. Robert’s father Bernard, who worked as a researcher on grape varieties, founded the estate in the early 1980’s. I was greeted by a rather fearsome-looking Boxer, but it turned out all he wanted to do was lick my toes. I bought a mixed case of wines, including some real finds, such as the Mauzac Nature and a Vin de Voile, a sort of Sherry-style wine (actually more like a Vin de Paille from the Jura), and really enjoyed them over the holiday. They were bigger richer than the Marcillac, with relatively high levels of alcohol, often 14-14.5%.

All of the wines bar four are fermented and aged in cement tanks, the remainder in old oak. Plageoles has two estates, with different soils. Around the winery they are limestone and clay. Four kilometres north, around Bernard’s house they are marl and clay with silica, better suited to reds. See HERE for tasting notes.

Dom Perignon & Grange Tasting

This promised to be one of the tastings of the year; mature vintages of two of the world’s great icon wines, known to just about anyone with even the vaguest knowledge of wine. Apparently Dom Perignon and Grange have held tastings such as this before in New York and other locations. Both producers did the ‘6’s – vintages ending in a six. Apparently they are usually lucky for Grange.

Dom Perignon
It is not every day that I get to taste DP, but in the past, on the few occasions I have managed it, I have never been over-whelmed. Is it the anti-corporate part of me, the bit that doesn’t trust the large multi-national corporations? Dom Perignon is part of LVMH, the French company that owns just about every luxury brand in France. I know I shouldn’t let my prejudices affect my tastings, but maybe I should plead guilty.

In any case, on the day, I was very pleasantly surprised; there were some truly great Champagnes, and no duds at all. Oenothèque is a special release of Dom Perignon, made from limited quantities of the same wine as the regular cuvée, but aged for a further period on the lees before release. Dom Perignon is aged for seven years prior to release, DP Oenethèque for fifteen to twenty years on the lees before bottling. These were stunning wines, a glorious mix of fine but rich mature fruit, with excellent acidity. I tried the current regular (2002) release of DP later that day. It too was excellent, and will I think reward a couple more years in the cellar. See below for tasting notes.

Grange
Grange is possibly less well-known in this country, but has a massive reputation in wine circles. Most critics see it as the greatest Aussie red. It was the brainchild of Max Schubert, the winemaker at Penfolds for many years. He returned from a visit to Bordeaux in 1950 determined to make a top-quality Australian red wine that could last for twenty years or more. He picked Shiraz (or Hermitage as it was then called) as the mainstay, sometimes adding a percentage of Cabernet Sauvignon. The first vintage was 1951. Legend has it that Schubert was forced to hide his new wine from the then owners, who would not have approved.

Unique amongst most fine wines, Grange (the Hermitage was dropped in 1990 following objections from the Rhône Valley) is made not only from a variety of vineyards, but also several regions. Most fine wines (with the exception of Port and Sherry) are the produce of a single vineyard. Typically the grapes are sourced primarily from the Barossa Valley and McLaren Vale, with Cabernet Sauvignon from Coonawarra, McLaren Vale and other regions. The amount of Shiraz used varies each year, but is generally around 90%, the remainder being Cabernet Sauvignon. Grange is always aged in 100% new American oak barrels.

The tasting was lead by Peter Gago, the irrepressible head winemaker at Grange/Penfolds. A former maths teacher, Peter is a brilliant speaker, and a great ambassador for both Penfolds and Grange worldwide. His wife is speaker of the upper house in the Australian parliament, so I would imagine they meet up once every few months. See below for tasting notes.

Dom Perignon Oenothèque Tasting Notes

DP OEnothèque 96, Disgorged in 2008, this had a big rich nose, leesy rich peach fruits, rounded and subtle with excellent acidity (the hallmark of the 1996 vintage), and very good length. Still needs time, but a wonderful Chamapagne. 17/20

DP Rosé OEnothèque 86, There was no Oenothèque Blanc made in 1986, so we tasted the rosé instead. Lovely crushed sweet strawberry fruits, a touch of honey and orange peel, with a very dry finish. Very good. 16.5/20

DP OEnothèque 76, A wine that explodes with flavour. It has a deep gold colour, light mushrooms on the nose, and a superb seductive honeyed, developed palate  that goes on and on. Lower in acidity than the 1996, but still very linear, yet powerful 18/20

DP OEnothèque 66 in magnum This had a wonderful nose, all brioche, toasted nuts and mushrooms; on the palate it was full and rich with grilled hazelnuts, buttery with lots of sous-bois and mushrooms, finishing dry. It is possibly fading a little, but a very ipressive wine. 18.5/20

GRANGE TASTING NOTES

Grange 2006 A pup of a wine. Deeply-coloured, not hugely forthcoming on the nose at first, and very closed and tight on the palate. It opens up to reveal a youthful nose of plums, blackcurrants and dark chocolate with toasty new oak. On the palate there is a massive concentration of dark plums, cassis, coffee and spicy new oak. It finishes very well with impressive length and very firm un-evolved tannins. A great wine in the making but needs time. Lots of time. 18/20

Grange 1996 This still has a very youthful colour, but has started to evolve wonderfully on the nose and palate. Forward ripe cassis and plum aromas, with some spicy new oak. The palate is loaded with seductive smooth ripe sweet cassis, dark fruits and dark chocolate, finishing very well. This is young, and will continue to evolve but is irresistible now. A great combination of power and intensity, but perfectly balanced. 19/20

Grange 1986 Full, forward aromas of plum, spice and cedarwood; on the palate it is rich, sweet, ripe and velvety, almost hedonistic at times, with dark chocolate, spice again and a firm long finish. Drinking perfectly now, but will improve further. 17.5/20

Grange 1976 Two bottles opened and sadly neither were in good condition.

Grange 1966 This was a lovely fully mature wine with mint and caramel on the nose; gentle leafy sweet ripe fruit, old leather, truffles and milk chocolate. Not going anywhere but a beautiful wine. 18/20

Grange 2003 Served at dinner later that evening; rich, with very concentrated broad sweet plums and spicy American oak. Powerful and full of flavour, but not quite as impressive as some of the earlier vintages. Maybe it just needs more time? 15.5/20